Guided meditation scripts

For teachers, and anyone recording

Guided meditation scripts

Written to be spoken, not read. With timing marks, real pauses, and none of the writing habits that make a script sound like an audiobook.

A five-minute script you can use today

Free to use in a class, a session or a recording, with a credit and a link back. Marks: [5] means pause five seconds, [20] means twenty.

Settling — 5 minutes

Find a position you can keep for a few minutes. Both feet on the floor if you're on a chair. [5]

Let your eyes close, or rest them on the floor a little ahead of you. [5]

Start with the feet. Just the feet. Feel the weight of them, and the floor pushing back. [20]

Now where you're sitting. The seat holding you. Notice where the pressure is greatest. [20]

And your hands, wherever they've come to rest. Warm, cool, heavy, light. [20]

Now, if it's easy, let the breath come into it. You're not changing it. Just noticing that it's happening. [30]

At some point your attention will go somewhere else. That's not a problem — it's what attention does. When you notice, come back. Feet, seat, hands, breath. [45]

Staying here. Nothing to work out. [60]

And once more, coming back. However many times. [45]

In a moment we'll finish. Let the room come back — sounds around you, the light through your eyelids. [10]

When you're ready, open your eyes.

How to write one that doesn't sound written

TWO WAYS TO WRITE THE SAME INSTRUCTIONREADS WELL, SPEAKS BADLY"Allow yourself to gently becomeaware of the sensations that maybe arising within the body."SPEAKS WELL"Start with the feet.Just the feet.Feel the weight of them."
Short sentences. Concrete nouns. One instruction at a time. "Allow yourself to" is almost always deletable.
  • Time the silences, don't guess them. Write the number in the script. Under pressure everyone speaks too fast and leaves too little room.
  • Say "when you notice you've drifted" early. Before it happens, not after. It reframes wandering as expected rather than as failure.
  • Cut every hedge. "Perhaps you might like to gently allow" is four hedges and no instruction.
  • Name body parts, not concepts. "Your jaw" lands. "Your physical form" doesn't.
  • Promise nothing. No "this will release your tension". Describe, invite, stop.
  • Land the ending. Bring the room back before you bring the eyes back — a script that stops dead leaves people jolted.
  • Read it aloud, standing up, timing it. Every weak line shows up in ninety seconds.

Adapting the script above

ForChange
SleepLying down. Double every pause. Drop the ending — don't bring them back.
A classAdd ten seconds at the start for people still settling. Speak slower than feels natural.
ChildrenHalve it. Swap "notice" for "see if you can feel". Two minutes is plenty.
Before an exam or a talkFeet and hands only, eyes open, ninety seconds. Skip the breath entirely.
If you're recording for others. Don't claim outcomes in the title or the description, don't imply therapeutic benefit, and say plainly that it isn't medical advice. It protects your listeners and it protects you.

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